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Often the maestro asked us to try sections again not because we’d flubbed any notes, but because we weren’t giving enough to the spirit of his compositions. The melody might be easy to execute, but the expressiveness required to bring it to life, evoking the characters, settings, and emotions of these beloved animated movies, was a different story. Hisaishi’s music is deceptive in its simplicity, much like the films themselves.
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One of the first things he said to the ensemble, jokingly, was that he knew we were all used to performing symphonies, and that this was only movie music, and so he hoped we wouldn’t find it too easy. I didn’t know what to expect from a musician of his stature, but I was surprised by his combination of efficiency and humor.
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The crowd enthusiastically cheered when he told them this after her first solo.
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The music came together in three whirlwind rehearsals conducted by Hisaishi, with MasterVoices, the American Symphony Orchestra, the Brooklyn Youth Chorus, soprano Amanda Achen, and singer Mai Fujisawa (Hisaishi’s daughter).
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The new dates were imperiled as Hisaishi, 71, caught covid just before he was supposed to conduct the series in London earlier this month. Originally scheduled for late January, the concert series, which features music from 10 Miyazaki films, was postponed to August due to omicron. So when the choir I sing with, MasterVoices, was hired to provide the chorus for the concert, I was very excited (also, I just love cinematic music in general and am currently working my way through Miyazaki’s portfolio on HBOMax). A greeting that would make any rock star envious.įor various reasons, I missed the Miyazaki train growing up and had never seen any of the films, but knew of them by reputation. Nearly 6,000 audience members cheered raucously as Joe Hisaishi, the composer who wrote the soundtracks for Hayao Miyazaki Studio Ghibli films, including Howl’s Moving Castle, Spirited Away, Princess Mononoke, and My Neighbor Totoro, stepped onto the conductor’s podium. Symphonic concerts don’t usually sell out world-famous theaters, packed wall-to-wall with screaming fans, but on Saturday, August 13, that’s just what happened at Radio City Music Hall in New York City.